BOINGBOING recently posted my interview with Blutch – an inspiring & influential cartoonist to myself and many others. The first of his books to be published in English – SO LONG, SILVER SCREEN – is debuting this month from Picturebox! Below is the the only photo I could find of Blutch and myself – at Angoulême festival in January 2005. And there’s a smattering of Blutch’s prolific bibliography.
While working on Blankets, I poured so devotedly over Blutch’s pages that it emerged as unconscious swipes in my own work. Here’s just one sample where I mimicked him without even realizing – a common affliction in young, impressionable cartoonists.
And here’s a couple of portraits of Blutch from CARNET DE VOYAGE. That 2004 visit to Toulouse, France is referenced often in the Boingboing interview. Treat yourself to Blutch’s new book finally in the US!
Springtime instigates spring cleaning of the art studio. Here’s a couple of goodies unearthed in the process. Above is a batch of unused illustrations created for a stage presentation at the 2005 ICON Illustration Conference. The general talking point of each illo is: a) preconceptions of comics, b) the obliviousness and/or coping mechanisms of arteests, c)SCOTT McCLOUD as a cult leader of sorts for my generation of cartoonists, d) the reality that most cartoonists pay the bills via illustration gigs, e) the debate over the label “graphic novel”.
Below is another except from the 70 foot scroll I created in fourth grade (1985 or 1986) when I was approximately the same age as Violet in the upcoming SPACE DUMPLINS. Wish I could scan this entire epic for you… in the meantime, there’s a little more on it here.
During my March 5 – May 14, 2004 travel diary CARNET DE VOYAGE, this little bean-bodied critter invaded my sketchbooks as a conscience to counteract my whining & sentimentality. Nine years later, it’s satisfying & familiar to revisit the character in the pages of SPACE DUMPLINS, though I seriously envy how off-the-cuff I used to churn out the pages. The critter has a name now – Zacchaeus – after a favorite wee little tax-collector from the Bible.
There’s a new presence in my work studio that shares the same energy as Zacchaeus – frisky & distracting & never tolerating the whining – a kitty, name of Maurice (no Biblical reference). Here she is surveying new and old appearances of Zacchaeus. To the right, she protects the drafting table from her throne of crumpled jackets.
In other news:A) I’m participating in an exhibition at the Cartoon Art Museum in San Francisco with an amazing cast of illustrators. I SEE WHAT YOU SAY opens March 23rd.
And B) the latest foreign edition of HABIBI to debut is from my Serbian publisher Komiko. I wanted to mention it, if for no other reason because I like seeing my name spelled “Krejg”.
My upcoming all-ages book has been officially announced. It’s titled SPACE DUMPLINS and will be published by Scholastic. I want it to work like a Pixar film — fun & appealing to the youngsters, while simultaneously fulfilling to you, my faithful readers.
The bad news is that I haven’t drawn any new pages since the last blog-posting, because of a hand injury. Prohibited from drawing, I’ve been obsessively combing over the thumbnail draft, thus further applying the Pixar model of endless rewrites. My New Year’s plan is to take off the splint and leap back on the drawing wagon. And the book will keep me busy through all of 2013. Aiming for a 2014 release.
Finally, if you’re looking for last-last-minute holiday gifts, there’s still a limited amount of oversized HABIBI screenprints available at CRACK PRESS. Season’s greetings, Blog-friends! Thanks for checking in throughout the year (despite my infrequent posts). And thanks for making it to any of the HABIBI tour events!
Thanks for your patience with the confusion and delay around the art auction to raise funds for flood relief in the Philippines. The fund raiser is finally active on eBay and bids close in a week. Here’s the link:
Thanks for the reminder, Jordi. It’s been five weeks since my return, and I’ve finally started drawing the NEXT BOOK. Twelve pages are finished, but I’m still reclaiming the discipline & drawing muscles required to make final pages. It’s still a bit soon to reveal the details of the project, but I will say my focus is on the all-ages book. While brainstorming/writing (earlier in the year), I gave equal attention to three ideas, but the time-consuming demands of drawing have nudged the other two books to the backburner. Here’s some preliminary sketches of the new book’s hero – VIOLET.
In other news, here’s a link to the BLANKETS MARRIAGE PROPOSAL of Becca & Mike mentioned at the end of last month’s post.
A sweet moment and a great honor as an author to find one’s book connecting so deeply to readers’ lives. Best wishes to Becca & Mike!
Hello, Blog-Readers, and thanks as always for your patience. As you certainly can relate, the summer months are chaos.
First off, it was a treat to see many of you at San Diego Comic-con, and thanks to the comic industry for awarding HABIBI an Eisner for Best Writer/Artist. Here’s a con photo with a great group of fans from the Philippines.
The Philippines have recently been hit hard by monsoon season flooding, and members of the comics community have started a fundraiser for aid, relief, and medical assistance for the hundreds of thousands of displaced people. As part of this, the original cover artwork for the new edition of BLANKETS has been donated. Details HERE.
As all of you know, I never sell original artwork, so this a rare exception that any piece is available. 14’x17″ India ink on Bristol board. If I have a chance, I’ll personalize a note on the back to the donor. Please, look into bidding to help raise funds for this crucial cause. Thanks!
Thanks for the reminder, Jordi! The all-ages book is progressing, but still in its secret stages. What I can reveal is that I got last minute tickets to attend San Diego Comic-con this week. At 10:30 am on Friday, July 13th, I’ll be signing at the Top Shelf booth (#1721). That night, I’ll certainly be attending the Eisner Awards. And on Saturday the 14th, from 10am – noon, I’ll be presenting a writers’ workshop on ‘World-Building’ at TR!CKSTER (795 J Street, San Diego, CA). My plan is to hang around TR!CKSTER quite a bit, where they’ll be selling a super-limited-edition HABIBI screenprint – handpulled by Portland printmaking superstar Pete McCracken.
Speaking of Portland superstars, cartoonist buddy & psychedelic visionary Theo Ellsworth (above) is leaving town; so we got together for one last drawing day, and crafted an afternoon jam comic (below). FLOMGART’S DEPARTURE is inspired by Chicago’s Trubble Club sessions. For other surreal, half-baked jams on this blog, revisit those with Aaron Renier, Fabio Moon, and my brother Phil.
Here’s a couple more events to extend last week’s list: This Saturday – April 28th – I’ll be at Portland’s own Stumptown Comics Fest, signing for the CBLDF from 1-2pm. CBLDF suggests a $10 donation, but it’s for a worthy cause. Then, the day after the Skirball event in LA, I’ll be at super cool MELTDOWN COMICS – May 11th, 7pm.
After my Barcelona & LA trips, I plan to get started drawing the “all-ages book”, but in the meantime I’m dabbling in a number of small projects – including a cover for Wisconsin buddy Tim Seeley’s farm noir series REVIVAL. A creepy sort of “X-Files meets Fargo” story set in our childhood stomping grounds of Wausau, Wisconsin. A) thumbnailed idea sketches, B) pencils, C) final inks & colors.
Continuing on the themes of last week’s post, you’ll find a link to my acceptance essay for the PNBA award which explains the Hokusai
wave graphic. Here’s a shot of the award, and the man who presented it — noteworthy fantasy author & gentleman Terry Brooks.
On a Valentine’s note, OPRAH named BLANKETS one of the greatest love stories of all time. (?!?) (Bless her soul!)
And Aussie buddie Pat Grant released a new book named BLUE that I’m quite fond of.
Also, overlooked in that last post was a recap of London and Angoulême tour. London, as you know, is a charming city full
of deliciously polite folks. As for Angoulême, Drawn & Quarterly and Sarah Glidden do a great job of summarizing the festival.
Here’s myself with two of my favorite French cartoonists – Dupuy & Berberian!