Kudos to all of you who figured out the CHUNKY RICE thank you cards (circa 1999). Grant got Jeff Smith and Eddie Campbell.
Mack guessed correctly about Alan Moore’s FROM HELL. And finally Isaac nailed Dylan Horrocks (not in that way), referencing my
favorite scene from Horrock’s important work HICKSVILLE. All the other artists mentioned are definitely influences of mine.
In other news, the mural for my brother’s brand engagement agency BOLSTER is complete, thanks to the handiwork of Andrew Young.
And there’s some great documentation of HABIBI at the printers on my German publisher Reprodukt‘s blog.
And finally thanks to my brother for updating the look of THIS blog. HABIBI book tour begins in less than two weeks.
Check the site and facebook for schedule. And some advance reviews are already pouring in. Hope to see you!
Cleaning out the drawing studio in preparation for book tour, I excavated copies of thank you cards drawn for four cartoonists who endorsed
the first edition of GOOD-BYE, CHUNKY RICE way back in 1999. Can you identify those authors and/or scenes mashed up from their own work?
Writer Elif Shafak: “In Istanbul, you understand, perhaps not intellectually but intuitively, that East and West are ultimately imaginary ideas,
ones that can be de-imagined and re-imagined.”
Meanwhile, my friend Kazim Ali is traveling through Jerusalem and Palestine and blogging at the Huffington Post. Please, check it out.
Below’s another peek at our collaboration for the CBLDF Liberty Annual (colors by Dave Stewart).
craig“the severed branches were still reaching for air”
At the Shanghai Art Museum, I nerded out over the 320 meter “Scroll of Taiwan Scenery” by Taiwanese artist Hsu Wen-jung. In Wisconsin
(visiting family a month ago), I excavated from the attic a scroll I drew during Mrs. Kamenick’s fourth grade class. It puts HABIBI to shame.
It’s 77 pages taped together (70 feet!) blending text & visuals, and tackling every genre of boyhood fantasy — including race cars, fighter jets,
spaceships, monsters, and destroying the USSR! (I was ten…) Wish I could scan and share the insanity with you… instead, here’s a couple of slices.
And here’s some snippets of complex narrative from pages I don’t have room to show:
“Soon we were on our way to another universe to free the humans that were being held prisoners on the planet Slumgutso. But we cancaled [sic]
our trip because we found out that the humans were dead. We got back to earth just in time, because we had to spy on the USSR’s underwater city.”
“We took the hottest quickest and slickest cars, to get away from the coppers faster. We were going 950,659 mph.”
My comics career could have careened off an entirely different trajectory. Speaking of which, thanks to you who said HI at San Diego Comic-con!
Today launches www.habibibook.com. It’ll expand as reviews, tour dates, and my own contributions pour in. Check in to christen it now.
Tomorrow, departing at the earliest hour for the San Diego Comic-Con. Here’s my signing schedule to the best of my knowledge: Wednesday, July 20th • 6:30-8PM Top Shelf Booth #1721 Thursday, July 21st • 11AM-NOON and 3PM-4:30 Top Shelf Booth #1721 Friday, July 22nd • 11AM-12:30 Pantheon Booth #1515 Saturday, July 23rd • NOON-1PM Pantheon Booth #1515 … 2:30-4PM Art of the Graphic Novel panel Room 24ABC Sunday, July 24th • 10AM-11AM and 1PM-2PM Top Shelf Booth #1721
Top Shelf will have new hardcover and softcover editions of BLANKETS. Pantheon will have the Comic-con exclusive tri-fold poster and
some extra HABIBI goodies. In addition, I’ll participate in impromptu/casual signings across the street at TRICKSTER. That Art of the Graphic
Novel panel includes cartoon luminaries Chester Brown, Seymour Chwast, Eric Drooker, Joyce Farmer, Joëlle Jones, and Jason Shiga;
and is moderated by Tom Spurgeon of the COMICS REPORTER … (original stormtroopers photo presumably attributed to Michael Neel)
The new editions of BLANKETS are here in time for San Diego Comic Con (in stores in August). The hardcover is the exact same dimensions as
HABIBI so they’ll mesh nicely on bookshelves. Check the stamped gold foil and spotgloss. They both have fancy smyth-sewn bindings to sprawl
open in the sunny backyard. And that’s the trifold poster lounging with them. Hope you all are enjoying the summer. Thanks for checking in!
While you’re all being patient for the HABIBI release, here’s some progress updates on slightly smaller projects.
The trifold poster is being colored by the Eisner award-winning Dave Stewart! He’s also coloring the Kazim collaboration for CBLDF.
(For TRICKSTER at ComicCon, we’re planning a B&W screenprint version.) And the BOLSTER mural is not yet finished, but getting close.
Here’s the scaffolding chaos from a couple of weeks ago…
Also, we had a first contest of sorts on the facebook page. Of course, it’s impossible to choose from so many moving stories from you readers.
Thanks for being in touch. More soon!
Happy summer, Blog-friends! My publisher has set up a Facebook page for me. I’m not directly posting there, but I can check in daily on your
generous comments. They’ll be up-to-the-moment news and a few contests and giveaways. Perhaps I’ll dabble in personal posts, but I don’t
want to neglect the DOOTDOOTGARDEN blog any more than I already do. The garden needs weeding, watering, and few more flowers planted.
At the drawing table, I’m juggling a handful of projects. Including:
a.) A collaboration with poet Kazim Ali for the CBLDF‘s Liberty Annual.
b.) Edward Lear’s “The Owl and the Pussycat” in comics form for the upcoming NURSERY RHYME COMICS from First Second Books (October 2011).
c.) And a tri-fold poster for San Diego Comic Con. (Chunky, Blankets, and Habibi merge)
Thanks to all of you for your patience. The HABIBI tour will be here sooner than later.
And an update for fans in the Philippines: It looks like I’ll make it to Manilla early next year. See you all soon!
My little bro Jon (“Phil” in BLANKETS: see pee fight) runs a brand management design firm named BOLSTER with two biz partner buddies.
They’re moving into a swanky new studio space, so about a month ago, I flew to Minneapolis to help decorate one of the walls with a mural.
I caught a nasty flu, but managed to brainstorm ideas with my bro, and knock out a proportional paper version of the mural on his dining room table.
The REAL work — the tangible, sexy work of putting paint to wall – was handled by the talented Andrew Young.
Here’s Andrew solo, and then with my brother, in the earliest stages – projecting and tracing the drawing to prepare for painting.
As BOLSTER’s grand opening, Andrew’s birthday, and the mural’s completion approach, I’ll post more. (Next week, I’m in NYC for BEA.)
Quick heads-up to locals that I’m appearing at a Portland comics show this Saturday, May 14th. Wondernorthwest @ Crowne Plaza Hotel,
1441 NE 2nd Ave. At 3 o’clock, I’ll give a talk, signing at 4, and then a discussion panel titled CUTTING THE CHEESE with long-time Wisconsin
pals Kurt Halsey and Tim Seeley. Excited to discuss beer-cheese soup, protesting Imperial Walker, and the Packers!