Seeing the whole chapter made it more malleable & consistent, more tangible to “stage”, and saved me from repeating compositions. But my work days felt more monotonous – tending to a single task for weeks on end – and I missed the creative “down time” that inking affords me. Pencilling is all sweat & brainwork, but inking is more intuitive – freeing my mind to listen to music, podcasts, talk on the phone…
Many of you asked why I’ve started using colored ballpoint on my pencils, but it’s purely for fun – now that I scan the pencils and print out blue lines, the pencils can be as messy and colorful as I like. As an experiment, I dabbled with inking some panels digitally on a 13HD Cintiq.
Below is an excerpt from a page I inked twice – A) The old-fashioned way with a brush and India ink. B) The newfangled digital tablet way. I was surprised that the difference is almost imperceptible. An advantage of digital is that I was able to draw word balloons and color holds on separate layers, and of course it’s all easier to correct. But for now I still prefer the tactile sensations of light bouncing off paper, crude ink, and finicky sable hairs.
